Rear Window Opening Analysis - Ak

Rear Window begins with Universal and Paramount Pictures idents. This overlaps into the opening credits. The text is in capitals in a yellow/brown to white gradiented, serif font. The text is quite large and takes up most of the screen. Behind the text there are three windows with blinds down. The blinds then slowly raise up one at a time as the credits play. Through the windows you can see a neighbourhood. The fire escapes on the sides of the building signify that it is set in America. Non-diagetic orchestral music plays through the credits and first few takes of the film. All three blinds finish going up, the credits end and the camera zooms in closer to the window.

It then cuts to a high angle extreme long shot of a cat walking up some outdoor stone stairs. The camera pans across and tilts up and down to follow the cat and show more of the neighborhood. There are people standing on a balcony, people in the apartments and people walking through the neighbourhood. The camera eventually comes back into the window to show a close up of a middle aged mans face sweating. The man is sitting down and looks relaxed.

It then cuts to an extreme close up of a thermometer which is at just over 90°F which shows how hot it is. The camera tracks across to show a man in another window shaving. And a radio from inside his house starts playing.

Then it cuts to an extreme long shot of a man and woman waking up on a baclony and again the camera moves, this time showing another woman in her house, someone putting washing out of their window and again the camera comes back in through the window to show the man sitting down. This time the camera keeps moving past his face and shows him in a wheelchair with a cast on his leg. On it is written 'Here lie the broken bones og L.B. Jefferies'. The camera then moves around the room to show photographs of a car crash, then it shows a camera, then it shows a photo of a woman and then some Paris Fashions booklets with the same woman on the cover. All of this provides a bit of exposition. The camera probably belongs to the man and the Paris Fashions booklets would suggest that he might be a fashion photographer, however there is still some narrative enigma with the photographs of the car crash. The mise-en-scene also signifies that it is set in the 50s. The shot fades to black.

There are only four takes in the opening so each one is quite long. I think that as this is an old film it would of worked well when it was released, but I find it too slow and a bit repetitive and I would have prefered more takes and faster editing.

The opening is 3 minutes 52 seconds.